This bibliography, over ten years in the making and numbering over seven hundred items, attempts to provide for the first time a comprehensive listing in chronological sequence of Tibetan-language works belonging tothe typical historical genres that have evolved between the 11th century and the present. Included are not only the dates and details of composition or publication, ...(展开全部)

This bibliography, over ten years in the making and numbering over seven hundred items, attempts to provide for the first time a comprehensive listing in chronological sequence of Tibetan-language works belonging tothe typical historical genres that have evolved between the 11th century and the present. Included are not only the dates and details of composition or publication, ...(展开全部)

‘Tibetan Typeforms’ presents in-depth research regarding the origin, development, and typographical function of letter types in Tibetan writing, from their beginnings in 1738 to the present. Besides introducing the characteristics of Tibetan script and the chronological evolution of letter design and typographic techniques, it also offers a comparative visual and analytical inv...(展开全部)

‘Tibetan Typeforms’ presents in-depth research regarding the origin, development, and typographical function of letter types in Tibetan writing, from their beginnings in 1738 to the present. Besides introducing the characteristics of Tibetan script and the chronological evolution of letter design and typographic techniques, it also offers a comparative visual and analytical inv...(展开全部)

The Manual of Standard Tibetan presents the everyday speech of Lhasa, as it is currently used in Tibet as well as amongst the Tibetan diaspora. It not only places the language in its natural context, but also highlights along the way key aspects of Tibetan civilization and Vajrayana Buddhism. The Manual, which consists of forty-one lessons, is illustrated with many drawings and...(展开全部)

The Handbook of Tibetan Buddhist Symbols is a portal into the rich, multifaceted, and profound symbolism of Tibetan sacred art. Robert Beer provides a deep and encompassing insight into the vast array of symbols and attributes that appear within the complex iconography of Tibetan Buddhism. The succinct descriptions that accompany his detailed line drawings reveal the origins, m...(展开全部)

The Handbook of Tibetan Buddhist Symbols is a portal into the rich, multifaceted, and profound symbolism of Tibetan sacred art. Robert Beer provides a deep and encompassing insight into the vast array of symbols and attributes that appear within the complex iconography of Tibetan Buddhism. The succinct descriptions that accompany his detailed line drawings reveal the origins, m...(展开全部)

李安宅(1900-1985年)，河北省迁安县人。字仁斋,笔名任责。著名社会学、人类学、民族学家。曾任四川省政协委员,中国社会学研究会顾问、中国民族学会顾问、中国民俗学研究会顾问等。1926年燕京大学社会学系毕业,后赴美国深造。1938年赴甘肃拉卜楞寺对藏传佛教进行实地调查,后任教于成都华西大学。1947年到1949年在美英从事研究工作。1950年进藏任教。1963年任教于四川师范学院。1985年逝世。一生专治民族学、宗教学、社会学、藏学的研究,颇有成绩。宗教方面的专著有《藏族宗教史之实地研究》、《拉卜楞――李安宅的调查报告》、《宗教与边疆建设》等。

李安宅(1900-1985年)，河北省迁安县人。字仁斋,笔名任责。著名社会学、人类学、民族学家。曾任四川省政协委员,中国社会学研究会顾问、中国民族学会顾问、中国民俗学研究会顾问等。1926年燕京大学社会学系毕业,后赴美国深造。1938年赴甘肃拉卜楞寺对藏传佛教进行实地调查,后任教于成都华西大学。1947年到1949年在美英从事研究工作。1950年进藏任教。1963年任教于四川师范学院。1985年逝世。一生专治民族学、宗教学、社会学、藏学的研究,颇有成绩。宗教方面的专著有《藏族宗教史之实地研究》、《拉卜楞――李安宅的调查报告》、《宗教与边疆建设》等。